|
The palm mute, also known as palm muting or chop, is a playing technique for the guitar or bass. This technique is known as pizzicato by classical guitar players (see classical guitar techniques for details).
Palm mutes are executed by placing the side of the picking hand below the little finger across all of the strings very close to the bridge and then plucking the strings with the fingers while the damping is in effect. This produces a muted sound. The name is a slight misnomer, as the muting is usually performed by the side or heel of the hand.
While rare in classical guitar technique, palm muting is now a standard technique among electric guitarists who play with a pick. Palm muting is so widely used as to be idiomatic in hard rock, heavy metal, and particularly thrash, speed and death metal, but it is often found in any style of music that features electric guitars with distortion in the signal\'s preamplification stage. It is responsible for the characteristic "chugging" sound of distorted guitar music. Palm muting can also be used in conjunction with a Wah pedal to produce the distinctive scratching sound often heard in Disco music.
Palm-muting is also used by electric bassists in order to obtain a warm, "thumpy" tone that is sometimes similar to that of a double bass. The strings may be plucked with the thumb, or with a pick which gives a more percussive tone.
Contents |
There are many ways to perform palm muting. These ways were brought upon by the "Rock God" Ryan; however, with expert guidance from fellow band member, Tahn Nickson. Generally the following aspects are recognized:
Palm muting is a basis for many other techniques, especially those specific to electric guitars, such as sweep picking or alternate picking.
In guitar tablature, palm mutes are rendered with a "P.M." or "PM", and a dashed or dotted line for the duration of the phrase to be muted. If the pitches of the muted notes are discernible, the fret numbers are given accordingly, otherwise they are represented with an X in lieu of a tab number. (If an X appears in lieu of a tab number but there is no P.M. directive, this usually means to mute the string using the fretting hand, not the picking hand.)
P.M.------------| e |------------------| B |--8-------8-------| G |--7-------7-------| D |--6-------6-------| A |--7-------7-------| E |----0-0-0---0-0-0-|
One popular song with palm muting is "Basket Case" by Green Day, where power chords are accented then muted to create a sense of energy and urgency.
> PM--------| > PM-| < PM--| > PM-| < PM- > PM> PM-| < PM--| < e |-----------------|-------------------|-----------------|-------------------| B |-----------------|-------------------|-----------------|-------------------| G |-9---------------|-------------------|-----6-----6-----|-------------------| D |-9-9-9-9-9-9-9-9-|-----9-------9-x-x-|-6-6-6-6-6-6---6-|-----6-------6-x-x-| A |-7-7-7-7-7-7-7-9-|-9-9-9-9-9-9-9-x-x-|-4-4-4-4-4-4-6-6-|-6-6-6-6-6-6-6-x-x-| E |---------------7-|-7-7-7-7-7-7-7-x-x-|-------------4-4-|-4-4-4-4-4-4-4-x-x-|
Palm muting can also be heard in The Animals\' "House of the Rising Sun", and is employed on both acoustic and electric guitars by Al Di Meola. One example of the technique\'s use on acoustic guitar may be found in Di Meola\'s "Mediterranean Sundance". Probably the most famous example is The Police\'s Grammy-award winning Every Breath You Take
More aggressive styles of palm muting grew out of thrash metal in the mid-late 1980s with bands such as Megadeth, Slayer, Metallica, Pantera and Anthrax. The technique was fused with fast alternate picking, under high gain, to create a driving, percussive effect.
A recent example is "Bring the Light" by the Smashing Pumpkins.
| This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (January 2008) |
This article is licensed under the GNU Free Documentation License. It uses material from Wikipedia